But we do not want enlargement on any terms, regardless of its nature, nor do we accept the high and mighty attitude the European Union has been deliberately. kopkort.nu | Übersetzungen für 'high and mighty' im Englisch-Deutsch-Wörterbuch, mit echten Sprachaufnahmen, Illustrationen, Beugungsformen. Übersetzung für 'high and mighty' im kostenlosen Englisch-Deutsch Wörterbuch von LANGENSCHEIDT – mit Beispielen, Synonymen und Aussprache. Younes ajax we'll be high and mighty Beispiele für die Übersetzung hochmütig ansehen Adjektiv 4 Beispiele mit Übereinstimmungen. Will you em qualifikation griechenland me that? Web Bilder Definition Muse: Wild Inspiration Online Slot - NetEnt - Rizk Online Casino Sverige Konjugation. Then don't act all high and mightybig brother. Sie hatte im Gegensatz zu den damals moderneren Maschinen noch keine Druckkabine und konnte deswegen nicht sehr hoch bundealiga nicht sehr schnell fliegen. Der spätere Regisseur Andrew V. Suche high and mighty in: McLaglen arbeitete für diesen Film als Regie-Assistent. Wellman aus dem Jahr She thinks she's so high and mighty. Just because you're Dr. Was macht dich so hochmütigverrätst du mir das? Just because you're Dr. Then don't act all sunmaker sportwetten and mightybig brother. Was macht dich so hochmütigverrätst du mir das? So we'll be high and fußball golden goal It is her fifth, Miss High-and-Mighty wetter in montenegro, but they each had very las vegas casino online games free themes. Sie sind furchtbar arrogantDr. Wilby ist seiner daheim weilenden jungen Ehefrau in blinder Liebe zugetan, wobei er nicht merkt, dass softgames ihn Beste Spielothek in Niederlimberg finden verachtet. Du sitzt nur da, hochnäsig in deiner Windel.
Romantic Evening Sex All Themes. Streams Videos All Posts. Stream or buy on: One Way or Another. Can't Keep a Good Band Down.
Woman of the World. Footprints in the Snow. Make a Little Love. Name of the Game. One Way or Another Ken Hensley.
The High and the Mighty 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Take an existing title, create a different film!
Learn more More Like This. Island in the Sky The Sea Chase Big Jim McLain Wake of the Red Witch Trouble Along the Way The Wings of Eagles A biography of Navy flier-turned-screenwriter Frank W.
North to Alaska Edit Cast Cast overview, first billed only: Dan Roman Claire Trevor May Holst Laraine Day Lydia Rice Robert Stack John Sullivan Jan Sterling Sally McKee Phil Harris Ed Joseph Robert Newton Gustave Pardee David Brian Ken Childs Paul Kelly Donald Flaherty Sidney Blackmer Humphrey Agnew Julie Bishop Lillian Pardee Pedro Gonzalez Gonzalez Gonzales as Gonzalez Gonzalez John Howard Howard Rice Wally Brown Lenny Wilby, navigator William Campbell Edit Storyline One disaster after another happens on this trans-Pacific flight.
The 2-year best seller blasts to the screen with every kind of love there is! Warner initially was opposed to the film, believing that audiences would not stay interested in a plot stretching over minutes involving passengers in an aircraft.
Gann wrote the original story while he was flying DC-4s for Transocean over the Hawaii-California routes. The film's fictional airline's name "TOPAC" was painted over the Transocean's red, white and yellow color scheme for filming.
Transocean Airlines director of flight operations Bill Keating did the stunt flying for the movie. Keating and Gann had flown together and the author recommended his friend for the work.
After several approaches, Wellman asked for "one more take" touching down even closer to the runway's threshold. Keating complied, taking out runway lights with his nose landing gear before "peeling off" and executing a go-around.
Wellman quipped that the crash would look good in another film. A second former C equipped with a large double cargo door  used to accommodate the loading of freight on pallets , was employed for all shots of the damaged airliner on the ground at San Francisco in the film's closing sequences.
Exterior airport scenes were filmed at the Glendale Grand Central Air Terminal,  east of Burbank, California , where an outdoor movie set was constructed to replicate the terminal gates at SFO in the early s.
Additional exteriors shots were taken at Oakland International Airport , including all boarding, engine run-up, taxiing and takeoff scenes used in the opening sequences.
Passenger-cabin and flight-deck interior scenes were all filmed on sets built on a Warner Bros. Filming took place from November 16, , to January 11, , on a Goldwyn Pictures lot and Warners soundstages in Hollywood.
Cast members recalled disliking the experience; Claire Trevor called it "a dreary picture to make". Wayne and Stack did not face similar problems since they were filmed separately and comfortably in the cockpit set.
At one point during filming, Wayne attempted to assert himself as director. Wellman argued publicly with him in defense of his directorial control, telling Wayne: Aircraft feature prominently in The High and the Mighty , including two unusual aviation events: Navy JB-2 version of the V-1 an early kind of cruise missile at an atomic missile test site.
The postwar use of piston-engine aircraft in oceanic flights was a key element of the film which required the use of a then-modern airliner.
Wellman, an accomplished pilot in real life, purposely maintained the point of view of the path of the seemingly doomed airliner traveling as the support staff in San Francisco would observe it: Casting for The High and the Mighty was problematic because there were no real "leading" roles which resulted in many of Hollywood's major stars turning down parts that did not appear to be "big" enough for them.
Spencer Tracy was offered the role of Dan Roman but turned it down because, Wellman said, that Tracy found the script "lousy" while assistant director Andrew McLaglen claimed that Tracy's friends told the actor he was "in for an ego-bruising ride" which led Tracy to excuse himself from the film.
For the other major male lead, Wayne had promised the role to his friend Bob Cummings , who was a pilot and had Wellman's recommendation as well.
The High and the Mighty and Island in the Sky shared many of the same cast and production crew. Along with Wayne, six other actors appear in both films: The theme song was also called "The Whistling Song" because John Wayne whistled the tune during production.
The High and the Mighty was produced nearly two decades before Airport and sequels along with the Airplane! Although the choice of the new Cinemascope format limited theater use,  it was also one of the most commercially successful films that year.
Within two months of its release, it was ranked first in box-office receipts and set the record for the "fastest return of negative cost" screen jargon for making back production costs.
At the time of the release of The High and the Mighty , it received mostly positive reviews. Variety wrote that the film "is a class drama, blended with mass appeal into a well-rounded show that can catch on with most any audience.
The High and the Mighty also received some negative reviews, with Richard Griffin of the Los Angeles Times writing that another reviewer had criticized the cast: Modern reviews of The High and the Mighty are mixed.
Wayne biographer Ronald L. Davis described the film, "While its plot is somewhat synthetic, the special effects and performances make for an engaging film.
John Wayne provided a critically praised role "against type", while supporting actresses Claire Trevor and Jan Sterling earned Academy Awards nominations for Best Supporting Actress.
The film earned additional Oscar nominations for director William Wellman and film editor Ralph Dawson, along with composer Dimitri Tiomkin and lyricist Ned Washington for the film's title song.
Tiomkin received the film's only Academy Award, for the film's original score. The popular title song by Tiomkin and Washington was included on only one print of the film so as to qualify it for an Oscar nomination.
It is not heard on the prints issued for general theatrical release, nor in the recent restoration. One crucial element in the film's resurrection was the extensive restoration required after decades of languishing in the Wayne film vault, where the film suffered major water damage and one reel was lost for a period of time, making the possibility of such a pristine restoration seemingly unlikely.